When Nancy Wilson arrived in New York City in 1959, she knew what she wanted: to launch a national singing career with John Levy as her manager and Capitol as her record label. She got what she wanted and the rest, as they say, is history. To this day, John Levy remains her manager, and while she retired from extensive touring at the end of 2004, but National Public Radio listeners continue to hear her hosting repeated broadcasts of her Jazz Profiles series.
Recent awards include: an NAACP Image Award; a 2004 NEA Jazz Master Fellowship award; a 2005 Trumpet Award celebrating African-American achievement a 2005 Lifetime Achievement Award from the NAACP in Chicago; 2 Grammy Awards for her 2004 CD titled R.S.V.P. (Rare Songs, Very Personal) amd 2007 Turned To Blue CD, both on MCG Jazz; and an honorary doctorate from Juilliard School of Music to be bestowed in May 2012. For more information, read her bio below and visit her web site.
MCG Jazz Profile
Nancy Wilson blurs the line between jazz singer and pop singer, preferring to be called a “song stylist.” Born in Chillicothe, Ohio, on February 20, 1937, she is younger than Elvis, Little Richard and Esther Phillips, and only a year older than Etta James and Tina Turner. Yet, stylistically speaking, she is worlds away from these rhythm rocking contemporaries. Nancy is more like an earlier generation of vocalists such as Nat King Cole, Sarah Vaughan or Billy Eckstine.
At 15, after appearing at a talent show in Columbus, Ohio, Nancy was given her own twice-a-week television show, Skyline Melodies. She worked at the Carolina Club on Prom Night and six months later with the house band. Cannonball Adderley once told her, “If you ever come to New York give me a call.” He was managed by John Levy, and soon she was signed to Capitol Records. “What I heard that night,” recalled Capitol A&R man Dave Cavanaugh, “was the nasal quality of Dinah [Washington] and the tear of Billie [Holiday]. I signed her immediately.”
An early single, 1961’s “Guess Who I Saw Today,” a marvel of sophistication given the teen tenor of the times, became a staple on jazz radio and in black juke box locations throughout urban America. An album in 1962, Nancy Wilson/Cannonball Adderley, further raised her jazz profile and provided her with a second juke box hit, an edited-for-45 version of Buddy Johnson’s “Save Your Love For Me.” She also paid tribute to her idol, Little Jimmy Scott, with a much-loved version of “When Did You Leave Heaven.” Nancy’s highest charting Capitol singles, the GRAMMY® Award-winning “(You Don’t Know) How Glad I Am” (#11 Pop, 1964) and “You’re As Right As Rain” (#10 R&B, 1974), are highlights in the total of 20 Pop and/or R&B-charting singles for Capitol.
The two albums which made Nancy Wilson a household name were Broadway My Way and Hollywood My Way, which are just what the titles imply, current and old tunes from the Great White Way and Tinseltown. Broadway’s standout track was Irving Berlin’s “You Can Have Him,” from Miss Liberty. Nancy the actress wrings every drop of irony out of Berlin’s heartbreakingly ironic lyric. The hit from Hollywood was the aforementioned “When Did You Leave Heaven,” the Richard Whiting-Walter Bullock gem from the movie Sing Baby Sing. Both albums came out in 1963 and are part of an extraordinary output of 37 original albums total in her 20 years with the label.
After countless television guest appearances, NBC gave Nancy her own network series, The Nancy Wilson Show, for which she won an Emmy® Award for the 1967-68 season. She also performed on shows like The Andy Williams Show, The Carol Burnett Show, The Flip Wilson Show, and, over the years, either as herself or in the occasional acting role, on TV series like I Spy, Room 222, Hawaii Five-O, Police Story, The Cosby Show, Soul Food, New York Undercover and, lately, Moesha and The Parkers.
After years with Capitol, during many of which she was second in sales only to the Beatles, surpassing even Sinatra, Peggy Lee, the Beach Boys and early idol Nat King Cole, the business had changed and Nancy felt a new label might bring about a fresh start. So she moved to Columbia, where, despite her usual high aesthetic standards, she found it impossible to compete, sales-wise, with increasingly teen-oriented acts.
One of the more interesting albums from her later period came about in 1991, when singer Barry Manilow was given a sheath full of lyrics written by the late Johnny Mercer which the great songwriter had never put to music. Manilow added melodies and chose Nancy to sing the resultant songs.
In 1995, when National Public Radio (NPR) was looking for an articulate voice with both name value and jazz credibility to host their “Jazz Profiles” series, Nancy was the obvious choice. Not only did she know the music, but she knew the artists personally. Her first profile for this program was the 75th birthday tribute to Charlie Parker.
In the late 1990s, Nancy teamed up with MCG Jazz, a non-profit, independent, specialty record label, to record her only Christmas album, A Nancy Wilson Christmas, released for the 2001 holiday season.
Nancy gave the world of music anther gift on August 25, 2004, R.S.V.P. (Rare Songs, Very Personal). Her second MCG Jazz release features compositions never before recorded in her 50 plus years in the music business and special guests ranging from R&B star Kenny Lattimore to jazz legends George Shearing, Toots Thielemans and Phil Woods. R.S.V.P. (Rare Songs, Very Personal) won the 2004 GRAMMY® Award for Best Jazz Vocal Album. That was followed by one last recording, Turned To Blue, that won yet another Grammy for 2006.
In 2004, Nancy began to talk about giving up the road and retiring to spend more time with her family and her grandchildren. She cut back on the number of performances per year, and in recent years performed predominantly in concert halls. Now she appears only on rare occasion, and while her fans will miss her, after 690 years of touring and 67+ albums’ worth of material, we have plenty of listening and plenty of memories.
I love your music. your a true lady
I first head your recording when I was a high school student, in Cincinnati, Ohio. As I am sitting and listening to your songs, it seen like it was only yesterday that I hear your voice and it became paramount for me to meet a woman that personafied your musical and stage performance. Your music standards and performance were stellar and because of you, I been married to a woman of 50 years that made our lives as sweet as your songs and stellar performances. Thanks
I fell in love with Nancy Wilson when I was about the age
of 16. That love affair continues to this day at age 61. Her
poise and beauty as well as posessing one of the greatest
voices of all time is unmatch in the world of music. I’ve seen
her live and up close many time in concert. She is truly a gift
to the world.
I miss you and every so often when October comes around I think about you
“Nancy Love” is still in effect in 2018! I think of her every February. She was born in 1937, as was my mother. My mother and I have loved her music since…well, forever! (I’m 56…)
Thank you for singing your heart out for us, Nancy. We send the love back!
Been trying to reach MS. Nancy. You were friends with my dad Leroy Cobb in Columbus Ohio. He has been declining. Was hoping maybe you could talk to him one last time. He would remember you. Sincerely his daughter, Nicki.
I love your classicness that has continued throughout the years. My favorite is You can’t make me love you. Salute to for sharing your with us… Forever grateful
Dear Mrs. Wilson, Where do I start. I have been studying you as a vocalist/performer since I was a young child. My parents introduce me to your music. I used to borrow their albums and listen to you for hours and hours. My parents are Jimmy and Patti James Stapp. They were in the music business professionally all growing up. My dad is legendary especially on the West Coast as a jazz guitarist and vocalist. I have posted a lot of their music on YouTube under their names. One of my Mom’s favorite tunes that she would perform is Guess who I saw today, which she was inspired by you. As I am messaging you right now I’m sitting in my studio after my last client where I work with vocalists and performers. And singing one of my favorite songs of yours written by Barry Manilow. When October Goes. My other favorite song that I actually have performed is the Look of Love. I even have one of your albums framed on my studio wall. Well I just singing in my Studio by myself, I just had to reach out to you to tell you how much your amazing artistry has touched my family through the years and still does till this day. I base all singers that I work with either professionally or amateur on the merits that you show with your vocal talents. Of course no one can sing a Nancy Wilson song except Nancy Wilson…My dad taught me that. All three of us know that you are the greatest vocalist ever! I believe my dad missed an opportunity to actually see you perform when they were in the entertainment business for almost 40 years. Their Jazz band performed all over United States…Hawaii, Alaska, Las Vegas, LA, New York. I can’t believe that I’ve missed an opportunity to see you perform. I have read that you are now not touring. I’m not sure who will see this message. But I’m also reaching out to see if I can get an autograph for our family. You have no idea how much it would mean to us! Music is a central part of my families life! Thank you for the many years of recordings that will live on forever! Blessings to you and your family, Shellie James Stapp (Our family goes by James as our stage name)
7695 Canyon Drive, Amarillo, Texas 79110.
806-433-7282 email: stappproduction.com